Podcast from late last year – art/science discussion

podcast click here

From the archives of ARTHouse on Radio BM 89.1 – In this Segment, Justin Morrissey leads this week’s panel discussion on ‘Art & Science’. Justin is joined by Damian Castaldi, Fiona Davies, Solange Kershaw and Julie Ankers. Two tracks from Out of Abingdon’s newest album are also featured.


Image – At the Legacy day for Cudos in the Nano Science Hub at the School of Physics University of Sydney 2017



MIT Media Lab – where silk worms making paper allow the study of the links between biological and digital fabrication in design

Capture silk worms 2Capture silk worms making paper



Blood On Silk

Blood on Silk is a collaborative project between the late Dr Peter Domachuk, Dr Lee Anne Hall and Fiona Davies. This collaboration arose from an accidental intersection while Fiona was developing an installation in the foyer of the School of Physics at the University of Sydney Australia in September – October 2010. That work was titled Memorial / Double Pump Laplace II, and was the second in a series of three, site specific installations, loosely based on narratives of the dying and death of Fiona’s father, in 2001. During the four and a half months her father spent in intensive care the daily routine taking of blood samples became part of the pattern of the day.

The late Dr. Peter Domachuk’s research project adds new layers through the study of silk implantable microchips to allow real time measurement of the properties of blood while that blood is still circulating within the body. These silk microchips are refined, transparent and dissolvable therefore disposable, a biophotonic chip. Dr. Lee-Anne Hall a creative writer and museum studies expert also added layers of interpretation to the collaboration.

The groups thinking on the issues to address includes

– the materiality of silk as a  ‘natural’ protein fibre, ‘green’, ‘sustainable’, produced by an insect as the cocoon of the silkworm, triangular cross section,  non allergenic

–  the cultural history of silk . ‘silk routes’ pathways of commercial, cultural and technological exchange  Early industrial espionage (Byzantine period)  associated with stealing the technological  information about how to make methods of making silk yarn form the cocoons, Islamic teachings against the wearing of silk by men

 – The materiality of the refined silk / fibrion It’s characteristics – transparent, castable or mouldable, conformable to flat or patterned surfaces, cast or spin coat; water content and method of drying drives dissolvability and disposability.

 – The mechanism of reading blood characteristics in the array; patterning and organisation

 – The concepts of liveness of internal feedback , reading the body in real time; the possibility of self monitoring; instead of the sample being removed from the body to be read, it remains part of the body. The testing process is internalised rather than an external process.

– The medical ethics debate and the cost of health care.

– The relationship between humans and other animals. There are reports of an animal rights movement that disapproves of the death of silkworms in the process of obtaining silk.  It is possible to get silk from what is called pierced cocoons, ones that the moth has left naturally. Prior to commercial use the testing of implantable chips in animals/humans?

– Human rights through other uses of implantable chips; issues of surveillance or monitoring.