Follow this link to read of an interesting development in the practice of oral history, one of the strongest ways to allow the voice of the participant into the discussion. The author’s approach expands the scope of the practice of oral history to one where the language of non verbal communication during the interview is not translated but is understood. http://oralhistoryreview.org/oral-history-projects/documenting-tears/
In this article/essay Dalrún J. Eygerðardóttir, an Icelandic filmmaker, historian, feminist and oral historian locates the significance of the silence in interviews with a number of former rural housekeepers as the expression of a deep sorrow. The author concludes from the context and repetition that the sorrow is expressed by silence and it is up to the interviewer to acknowledge, feel the texture of the non verbal communication and keep still verbally and bodily to hold this expression of sorrow.
Working on a Time of Death series is a recurring event in my practice. First occurring in 2010 they circle around to be remade every two to three years. A video work will accompany these still images from Series Three and be overlaid with the sound track of the reading of a fairy-tale Once Upon a Time, Long Ago and Far Away: Pulling the Plug.
A video work made earlier this year as part of the fairy-tale reading series can be seen on my Vimeo channel. That work is titled, Once Upon a Time, Long Ago and Far Away: Being Moved from One Place to Another https://vimeo.com/355286468
This link will take you to my work on the Resilience in times of adversity website. Curated by Vivienne Dadour the exhibition is at the Blue Mountains Cultural Centre and runs until the 29th September.
A short video set in the transition from surgery to the recovery room to somewhere else. The landscape is populated by hallucinations,, by competitions and by counting down to start. The ending is ambiguous
This is the first of three sites at the State Silk Museum in Tbilisi choosen for the site specific work Woven Architecture . Thinking more and more about the power structures of architecture and the ways this is carried over to the contemporary architectural response and of course how that is translated into hospital and ICU design.