From Day One of the Install at The State Silk Museum in Tbilisi – Choose the First Site.

This is the first of three sites at the State Silk Museum in Tbilisi choosen for the site specific work Woven Architecture . Thinking more and more about the power structures of architecture and the ways this is carried over to the contemporary architectural response and of course how that is translated into hospital and ICU design.

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Video of Stage One in the Performative Lecture ‘ Cast a Cold Eye on Life, on Death is online.

From May 10th to 18th, 2019.the artist, Fiona Davies, undertook a series of performative lectures within the exhibition Cast a Cold Eye on Life on Death: The Remake Medicalised Death in ICU. This is Davies’s examination exhibition, the culmination of four years of practice-led research into medicalised death in ICU. There are a series of installations, object-based works, performances and interactive works. In each performative lecture Davies led a small group of viewers through these works, involved them in activities and if they wanted to. encouraged them to participate in conversations about medicalised death.From May 10th to 18th, 2019.the artist, Fiona Davies, undertook a series of performative lectures within the exhibition Cast a Cold Eye on Life on Death: The Remake Medicalised Death in ICU. This is Davies’s examination exhibition, the culmination of four years of practice-led research into medicalised death in ICU. There are a series of installations, object-based works, performances and interactive works. In each performative lecture Davies led a small group of viewers through these works, involved them in activities and if they wanted to. encouraged them to participate in conversations about medicalised death.

This video is of the first stage in the lecture. It starts with an oral history given by an ICU nurses about one patient and her death. This oral history is quoted from ‘David Crippen, End-of-Life Communication in the ICU: A Global Perspective (New York: Springer, 2008): 52.’ Then Davies sits behind the audience to tell a fairy tale while they watch the simulation on the medical monitor of a patient rupturing an abdominal aneurysm and bleeding out to death.

Warning: The exhibition and the performative lecture contain images, sounds and activities that deal with death, dying, hospitals, violence, blood and body parts for transplantation.

‘Cast a Cold eye on Life, on Death’ is a quote by WB Yeats

Images of the Exhibition – Cast a cold eye on life, on death: The Remake: Medicalised Death in ICU online.

online at http://www.fionadavies.com.au

videos of the performative lecture will be online by the end of this week

Works in progress still messing around before becoming playing tokens.

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Just standing on your head waiting for the glue to dry that is sticking a  button to your feet.  Small figurines becoming playing tokens for a modified version of snakes and ladders that leads the players through a game outlining the stages of heart failure.

The game lies inside the wonder cabinet zinc box of Blood on Silk: Total Artificial heart (TAH). This work, the last in the series of five wonder cabinet  works, provides another point of focus on the most elemental force behind the movement of blood and blood products: the beating of the heart. The heart is also one of the transplantable body parts and this junction between blood and body parts, the heart forms a focal point in this work.

New Work – Blood on Silk: Total Artificial Heart (TAH)

This is the last of the five wonder cabinet works in this series on blood, blood products and body parts. This final work links two aspects, the movement of blood and blood products within the body and the heart that ensures that circulation. The heart is one of the transplantable body organs. In many of the current prototypes under development for replacement hearts, the mechanism sits outside the body and in appearance reflects medicalised design aesthetics. In this work the beautiful double headed flask used in the chemical laboratory sits outside the zinc box of the work while inside a modified game of snakes and ladders is played as we try to make sense of the progress of disease.

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Work in Progress – Blood on Silk: Total Artificial Heart (TAH).

Work in progress – Blood on Silk: Blood Farming/ The Producers

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First image of a work looking more closely at blood farming. I’m trying to capture the liminal space occupied by the loneliness of the those abandoned by the system and by others.  She looks a little too much like she is wearing a uniform at the moment. Thinking of painting a pattern of small flowers along the hem of her dress.