‘Gore’ at the Joan, Penrith, Sydney

From the 2nd July until 30th July 2018, Gore will be located in the foyer of the Joan Sutherland Performing Arts Centre  in Penrith, Sydney. Curated by Dr Anika Mostaert and Christine Ghali, Gore is the last of four exhibitions as part of the Art/Science series called Curious.

Blood on Silk Bleeding Out as Imaged 2 .jpg

Detail of Blood on Silk ; Bleeding Out as Imaged,  2018 rice paper, ink and revolving lights.


New video of the viewing experience of three of the hallucinatory scenes in Blood on Silk: Bleeding Out


Still photo Credits: Alex Wisser 


SMACC podcast – ‘There’s a hole in my bucket ‘ panel discussion

This is a great panel discussion about the treatment off site of a patient bleeding out (amongst other things) and getting them to site, to the hospital.

Click on this link – https://www.smacc.net.au/2016/04/theres-a-hole-in-my-bucket-the-exsanguinating-patient/

there's a hole in my bucket untitled


Article on Artshub looking at artists who make art using body fluids.

My work is included under the blood section after a whole lot of much more shocking materials like urine etc.

Click this link to go to the article. http://visual.artshub.com.au/news-article/bits-and-blogs/visual-arts/visual-arts-writer/artists-who-turn-body-fluids-into-art-253684


photo credit Alex Wisser

New Work – Bleeding out (internally) the book

Bleeding Out Book 007 - Copy

This book, Bleeding Out (Internally) consists of two parts, A and B. The sizes of the two parts are slightly different so it is not obvious that they belong together.  Part A is a picture book intended to be touched, pages turned and held close by the reader. The images are representations of the sublime in the materiality of  blood or bleeding out (internally). Part B is an instructional manual trying to make sense of a short, traumatic, catastrophic event such as uncontrollable internal bleeding.  The patient and the witness experience this event simultaneously but not together.

This book frames an episode of bleeding out (internally) as the narrative of a very short illness. The physical beauty of blood in part A is coupled with the educational, instructional manual in part B to examine the differing body  mind responses. Through the artist book format, the physical action of turning the pages and touching the images, the viewer is encouraged  to have an intimate, physical relationship with the material. This book is part of a larger artistic project called Blood on Silk looking at medicalised death, primarily in ICU.