Author: bloodonsilk
Can we move past an ethnographic approach to Arts/Science ?
One of the common artistic strategies that appears to dominate the current batch of arts /science exhibitions is the practice of the artist finding or making an artefact of science; either in the laboratory, from a real or online scientific archive, or in the collection of a science museum, and then re-locating it to an [...]
Blood Testing – New Thinking Commercially Applied
photo credit Matthew Scott http://www.wired.com/2014/02/elizabeth-holmes-theranos/
Blood on Silk: Tufts Analytical Lab, 2014, silk paper and found objects, size variable. As installed for two and a half days in the analytical lab in the Biomedical Silk Lab at Tufts University Boston USA in late October 2014
This was not a public exhibition - it could only be seen by those who worked in this particular set of scientific laboratories within the silk laboratory at Tufts University Boston where they '.. study the use of silk as an optical material for applications in biomedical engineering, photonics and nanophotonics' This installation intervened into [...]
Why some of us faint at the sight of blood – Health & Wellbeing
Why some of us faint at the sight of blood - Health & Wellbeing.
Blood on Silk: Surgery – artist interview
http://youtu.be/iYKoBuZoJ7w Blood on Silk: Surgery as installed in the foyer of the main science building Macquarie University, Sydney Australia
Video of the installation Blood on Silk: Trade conflated with Blood on Silk: Campbelltown as installed at Campbelltown Arts Centre 2014
https://www.youtube.com/watch?v=NvCc7DLSY2oStill Photo Credits Alex Gooding, Martin Lukersmith, Zan Wimberley, Alex WisserVideo Credits Fiona Davies, Alex Gooding
Hospital design from the inside out.
New thinking in hospital design influencing patient outcomes
In Redesigned Room, Hospital Patients May Feel Better Already By MICHAEL KIMMELMAN The new rooms at the University Medical Center of Princeton also include a bedside-to-bathroom handrail and a foldout sofa for visitors. Credit Laura Pedrick for The New York Times