Still in Trial but looking good – an optic device that creates a 3D hologram from a blood sample to rate a patient’s probability of forming a life threatening blood clot.

From an article ‘How a beer at a uni bar sparked an idea that could save millions’ by Blake Foden in the Sydney Morning Herald.   Click on beer to get the link to the SMH Site to read the full article blood clot .JPG

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The long version of the card game Racing Patience ICU is now online

https://vimeo.com/285956777

Racing Patience ICU can be a tough game. There’s no taking turns and it can be physical and fast. This video starts by explaining the rules and finishes with a call for the video referee.

New Work – Blood on Silk: Blood Running

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Video still from a new work Blood on Silk: Blood Running, 2018. The video will be projected onto the surface of a wondercabinet zinc box set on the top of a table. Part of the video of the running blood will occasionally extend onto the floor.

Images from Gore installed in the foyer of ‘the Joan’.

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Images from two of the three works forming part of the installation Blood on Silk: Gore  in the foyer of the Joan Sutherland Performing Arts Centre in Penrith , Sydney Australia.

There have four segments of this programme designed to provide opportunities for an accidental interaction between an art/science work and the viewer.  Visitors to the ofyer include students at the Penrith Conservatorium,  children attending school holidays activities, workshops and performances, the evening theatre audience and casula passer by the adjacent park

‘Gore’ at the Joan, Penrith, Sydney

From the 2nd July until 30th July 2018, Gore will be located in the foyer of the Joan Sutherland Performing Arts Centre  in Penrith, Sydney. Curated by Dr Anika Mostaert and Christine Ghali, Gore is the last of four exhibitions as part of the Art/Science series called Curious.

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Detail of Blood on Silk ; Bleeding Out as Imaged,  2018 rice paper, ink and revolving lights.

‘Once upon a time, long ago and far away, there were twenty three units of blood’

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Once upon a time, long ago and far away, there were twenty-three units of blood
2018, ribbon, canvas and paint. Two panels each 96.4 x 176.5 (h) cm  Photo Alex Gooding

In this work twenty-three squat square crosses are arranged in a grid of six by four, with one missing. The dimensions of the cross and its alignment mimic those of the red cross symbol that identifies the emblem associated with the supply of blood and blood products within Australia.
However, here, the red cross has been decolourised. This is a chemical process used to remove unwanted staining material in the preparation of microscope slides or to remove coloured impurities from water such as dye waste. Decolourising the red cross shifts the focus to the more formal aspects of the symbol without the often-overriding associations of the colour red.
The reflectivity of both the satin weave of the ribbon and the modified sateen weave of the work amplifies the movements of the viewer appearing to alter the colour of the ribbons and thus its relationship with the viewer.
A tension remains, as it is the red colour of blood that signifies its usefulness to the body. The depth and shade of red shows the amount of haemoglobin per litre and/or the percentage of oxygenated haemoglobin in the blood. So, the process of decolourising strips away this signifier of purpose and effectiveness.