One of the first works in this series remade. Formerly in an installation where they wrapped around kneelers in a church, now they are sewn together. All the small incisions around the supports are sewn flat and then all the strips of blanket fabric sewn flat to form a very large blanket shape. The numbers are from a reading from a bedside medical monitor and have their own narrative to be read from left to right or right to left.
Racing Patience ICU can be a tough game. There’s no taking turns and it can be physical and fast. This video starts by explaining the rules and finishes with a call for the video referee.
“Doing the right thing at the right time is fantastic and doing the same thing at the wrong time is horrific,” he says.
In the run up to the Colour Run project at Braemar Gallery in Springwood NSW. I’m having a look at all of the series of works over the years looking at twenty three units of blood. This series is decolourised crosses representing each of the units of blood. They are gilded (badly) aluminium onto rusted steel and other found metal objects. It is harder than you expect to gild onto a rusted surface. The size of this work is 80 x 30 x 90(h) cm.
This work Blood on Silk: Bleeding Out [The Book] comes in two parts. One is a twenty three page book of blood stains meant to be handled and held on the lap of the reader, within the space of the body. The other element is a card labelled Instructional Manual. One the reverse side is a snakes and ladders type game where twenty three units of blood are used to halt a bleeding out. This work is now in the collection of the library at York University UK.
In two weeks an exhibition called Colour Run will open at the Braemar Gallery in Springwood. The exhibition is curated by Beata Geyer and one of my works Once upon a time , long ago and far away there were twenty three units of blood has been selected. In the run up I’ve been thinking of the other times I’ve focused on the narrative of Twenty three units of blood.
This work, was one of the first of these works I made, Memorial/ One shift Nov 30, 2000 was exhibited in St Marks Anglican Church,Aberdeen NSW in 2006 as part of Memorial/Double Pump Laplace I
Recently I presented at the 2018 Annual Association for Art History conference in London as part of a day long panel on Aural Affects and Effects: Explicit and Implicit sounds and rhythms in contemporary visual media put together by Olga Nikolaeva, Christine Sjöberg and Johnny Wingstedt.
Not only did several aspects of my research fall into place more clearly for me after my presentation (initially disrupted by the fire alarm!) and the follow up questions but also the other presentations in the thread provoked valuable insights that will also feed into the ongoing development of my thinking.
I have been working with the idea of sonnifying the predominantly wave form data visualisation of a bedside medical monitor display for nearly two years and have tested some of my early ideas out at two previous conferences. To confirm the value of my current position and at the same time expose aspects for future exploration was so reassuring.
Then to finish the conference there was an amazing and blunt keynote by Griselda Pollock.