This is the last of the five wonder cabinet works in this series on blood, blood products and body parts. This final work links two aspects, the movement of blood and blood products within the body and the heart that ensures that circulation. The heart is one of the transplantable body organs. In many of the current prototypes under development for replacement hearts, the mechanism sits outside the body and in appearance reflects medicalised design aesthetics. In this work the beautiful double headed flask used in the chemical laboratory sits outside the zinc box of the work while inside a modified game of snakes and ladders is played as we try to make sense of the progress of disease.
Work in Progress – Blood on Silk: Total Artificial Heart (TAH).
On the 17th October from 6-8 p.m. an exhibition Being towards Death curated by University of Sydney, Masters of Art Curating, students, Tian Kang and Yunyan Tang will open at the SCA Gallery, University of Sydney, Sydney. They have curated a new work of mine an installation titled Where they were last seen.
On the following evening the 18th October also from 6-8 p.m. Tian and Yunyan with a number of other Master of Art Curating students have also curated another work of mine into a group exhibition titled In Translation at Verge Gallery on the main campus of the University of Sydney. The work selected for this exhibition is Racing Patience ICU, a performative installation from 2018.
One of the first works in this series remade. Formerly in an installation where they wrapped around kneelers in a church, now they are sewn together. All the small incisions around the supports are sewn flat and then all the strips of blanket fabric sewn flat to form a very large blanket shape. The numbers are from a reading from a bedside medical monitor and have their own narrative to be read from left to right or right to left.
Video still from a new work Blood on Silk: Blood Running, 2018. The video will be projected onto the surface of a wondercabinet zinc box set on the top of a table. Part of the video of the running blood will occasionally extend onto the floor.
Images from two of the three works forming part of the installation Blood on Silk: Gore in the foyer of the Joan Sutherland Performing Arts Centre in Penrith , Sydney Australia.
There have four segments of this programme designed to provide opportunities for an accidental interaction between an art/science work and the viewer. Visitors to the ofyer include students at the Penrith Conservatorium, children attending school holidays activities, workshops and performances, the evening theatre audience and casula passer by the adjacent park
From the 2nd July until 30th July 2018, Gore will be located in the foyer of the Joan Sutherland Performing Arts Centre in Penrith, Sydney. Curated by Dr Anika Mostaert and Christine Ghali, Gore is the last of four exhibitions as part of the Art/Science series called Curious.
Detail of Blood on Silk ; Bleeding Out as Imaged, 2018 rice paper, ink and revolving lights.