'Blood on Silk: As Per Instructions I' 2013, canvas, paint and nails, 200 x 300 (h) x 70(d) cm An survey exhibition at Artspace of the work of Ian Milliss, titled 'Notes on the Works' included my work 'Blood on Silk: As per Instructions I' as one of a number of instructional works which had [...]
https://www.wired.co.uk/article/cold-trauma-suspended-animation A great article written by Natalie Healey published on the wired.co.uk site, raises some interesting questions starting with the basis of the definition of death, through to possible roles for body cooling in the treatment of trauma particularly when trying to increase the odds of survival for patients who have bleed out half of [...]
From the 2nd July until 30th July 2018, Gore will be located in the foyer of the Joan Sutherland Performing Arts Centre in Penrith, Sydney. Curated by Dr Anika Mostaert and Christine Ghali, Gore is the last of four exhibitions as part of the Art/Science series called Curious. Detail of Blood on Silk ; Bleeding Out [...]
This is a great panel discussion about the treatment off site of a patient bleeding out (amongst other things) and getting them to site, to the hospital. Click on this link - https://www.smacc.net.au/2016/04/theres-a-hole-in-my-bucket-the-exsanguinating-patient/
My work is included under the blood section after a whole lot of much more shocking materials like urine etc. Click this link to go to the article. http://visual.artshub.com.au/news-article/bits-and-blogs/visual-arts/visual-arts-writer/artists-who-turn-body-fluids-into-art-253684 photo credit Alex Wisser
A short video ( 1 and a half minutes ) showing the interaction of the audience with the work Blood on Silk: Bleeding Out . click here to watch and then let me know what you think.
This book, Bleeding Out (Internally) consists of two parts, A and B. The sizes of the two parts are slightly different so it is not obvious that they belong together. Part A is a picture book intended to be touched, pages turned and held close by the reader. The images are representations of the sublime [...]
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